Click here for the VoChor Home Page  
Project Examples
Recording Packages
Client Listing
Recording Tips
Client Instructions
Equipment Listing
Session Photos
Mechanical Licenses
CD Playability
Links
Contact VoChor
Products
Links

CLIENT INSTRUCTIONS

     In order for the process of creating a CD for distribution and/or sale to go smoothly, a reasonable amount of planning is required. Therefore, we have prepared the following instructions so that our customers might have an idea of the milestones that must be reached (and when) to make the CD production process as painless as possible.


Schedule Recording Sessions

     The first issue is to schedule the recording date(s) with the release date in mind. VoChor needs as much advance notice as possible to minimize schedule conflicts. In addition, early scheduling helps to ensure that you obtain the dates you most desire. VoChor requires a minimum of two weeks advance notice in order to avoid a charge for late scheduling. Please see our Recording Tips page for important suggestions for making the recording sessions run smoothly.

Determine CD Specifications

     A decision regarding the quantity of CDs and the printed materials and packaging that will accompany the CDs is an important early step since this determines pricing and available options. Among the options are choices between stereo or multi-track recording, glass-mastered CDs or CD-Rs, selection of text, color graphic, or silk-screened labels for the CDs, selection of color or black and white graphics and text for booklets and tray cards, and a number of other options described on the Recording packages section elsewhere on the website. Note that a deposit may be required for the “commercial release” option after acceptance of the master CD and printed materials but prior to CD duplication and insert printing.

Mechanical Licensing

     Obtaining mechanical licenses is a process that may have a large effect on timing of CD production and comes as a surprise to many clients (please see our section on Mechanical Licenses for more information on this subject). Whether VoChor is contracted to obtain the licenses, or you plan to obtain them yourself, a minimum of two months should be allowed from the time that the edited and mastered CD is completed to the desired release date. Unexpected delays can occur in this process and, by law, all of the licenses must be obtained prior to duplication and release of the recordings.

     If VoChor is being contracted to obtain the mechanical licenses, the following information is needed for each composition as soon as possible (even before the recording sessions, if appropriate).

1. Composition title
2. Composer and lyricist names.
3. Date of composition or copyright date.
4. Arranger or editor names (if appropriate).
5. Publisher name and address.
6. Publisher catalog number.
7. Any other information on the score to help identify the copyright holder.

     This information is required for each song to be recorded and can usually be obtained from the original music score. In fact, we request that you provide us with copies of the scores for each of the songs (the scores will, of course, be returned to you upon completion of the project). This not only gives us maximum information regarding licensing, but may also be needed during the musical editing process. The process of formally requesting the mechanical licenses requires the exact CD track timing to be established for each song. This means that all of the recording, editing, and mastering must be completed before the licenses can be requested.

Printing and Graphics

     We request that you collect and provide us with any graphic images that you would like us to use on the CD jewel case insert, tray card or CD label. If these images are copyrighted materials, you must obtain permission from their publisher to use them on your CD. Also, you should be thinking about concepts that you would like to see used for the cover. A trip to the local CD store or museum may give you some ideas. The following information is needed in order to lay out the text/graphics of the printed materials:

1. Graphics Images. Please provide scan-ready or electronic images for use. This includes photos, logos, or computer-generated graphics. Although VoChor can handle most types of computer graphics files such as TIFF, JPEG, BMP, etc., please let us know what file formats you have available so that we can coordinate the file transfers ahead of time. Please provide a high resolution graphic image (at least 300 dpi, higher, if available). Please be sure that your images have plenty of border that can be cropped if necessary to fit the required final size and shape. For instance, a full size image on the Insert first page will have a final dimension of 119.5 mm high by 120.5 mm wide, and we recommend at least a 6 mm croppable border.

2. Artist information. This can include bios, group history, or other existing text descriptions of the project. If the recording is being produced from a live performance, a copy of the program in electronic form is very useful.

3. Song or musical descriptions, introductions or notes. This is in addition to the song title/composer information.

4. Song words and translations. Note that inclusion of the words or translations may require additional publisher permissions for reprinting copyrighted lyrics.

5. Performer name lists (for groups). If you can provide the list in electronic format, it will reduce the possibility of introducing typos into the list.

6. Other text/graphics information. If the CD is to contain both music and text/graphics/html files (Mixed-Mode CD), there are many ways to provide the materials so please consult with VoChor when preparing this type of information.

Mixing, Editing, and Mastering

Multitrack Recordings. If the sessions include multitrack recording, all of the following steps are involved in the editing process. However, if the sessions include two-track recordings, only the editing and mastering section applies.

1. Mix definitions and mixdown. The proper balance among tracks for each song must be defined through listening. In addition, the use of any electronic processing and its level relative to the mix must also be defined. The client is strongly encouraged to participate fully in this process in our studio in order to obtain the sound best suited to your musical taste. We can provide various reference recordings during the session for comparison in order to match your needs. If you have a particular reference recording, please bring it with you to the mix definition session. The end result of this process is a two-track (stereo) recording that will then be edited into final form. By our rule of thumb, we find that the time to complete this process can be estimated by taking the raw number of recording hours and dividing by two. Of course, more difficult acoustic or performance situations may require more time to achieve optimum results.

2. Editing and Mastering. This is the process of taking the two-track recording produced above and eliminating any musical deficiencies that are correctable. If multiple “takes” of a single song have been made, then we may be able to “mix and match” these to correct problems. We also have specialized techniques for replacing wrong notes, correcting faulty entrances, and other performance issues even when multiple takes do not exist. The client is encouraged to listen to the two-track recording and note performance errors that need to be corrected in a list noting the track number, track time, and measure number in the score. We do not guarantee that we can correct all performance flaws, but we will make our best attempt to improve the recording. Once the edits have been made, the mastering process consists of editing the space between each song, assigning track numbers, and applying any overall processing such as normalization, compression, or ambience regeneration.


Final Client Approval

     At the end of the mixing, editing and mastering process, a test CD is produced for the client’s approval prior to duplication. Upon CD approval, the actual track times for each song can be determined, thus allowing the beginning of the formal acquisition of the mechanical licenses. Please be aware: certain music publishers require that specific copyright notice wording must be included with the CD for song title and composer citations and lyrics reprints. The content of the printed item containing this information (usually either the Insert or the Tray Card) cannot be finalized until all permissions and required copyright citation wordings have been obtained from the publishers.

     Once the text and graphics layouts have been completed, final versions of all printed materials will be provided for the client’s approval prior to printing.

Duplication and Receipt of CD Delivery

     After customer approval has been obtained both for the CD and all printed materials, the duplication process will proceed. The deposit for the commercial release option will be due at this approval time. Typical duplication and print quantities require between 2 and 4 weeks for completion. The CDs will then be available for pick-up at our office.

Sit Back and Relax

     Sit back, relax, and enjoy your new CD!